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--> The Metapoll. Take it.
Things That Look Like Other Things.
Counterfunctionality (A Gallery).
MLK BLVD: Open-source photography project: Contribute to the Flickr pool; browse the blog.
"Where Were You?" Annual.
Titans of Finance: True Tales of Money & Business
. With Josh Neufeld. Now available for the iPad! Go here.
PSFK points out these recent fake products evidently placed in retail locations by TrustoCorp. An example of shopdropping, a form of semiotic disobedience discussed earlier on this site here and here (and also here, when shopdropping was, oddly, picked up as an alleged “trend” by a murketer). Some of these are fun, and an interesting example of using imaginary brands in the real world.
The Consumed Facebook Page. I started this in connection with my NYT Magazine column, and intend to maintain it until further notice. 
Imagining implausible uses for unpopular places. A project in collaboration with Ellen Susan and G.K. Darby.
Great creative writers invent stories about thrift-store objects. A project in collaboration with Joshua Glenn.
Letters From New Orleans, by Rob Walker. 
Foreward to Brand Thinking and Other Noble Pursuits
Introduction to Ad Nauseam: A Survivor's Guide to American Consumer Culture
Essay for OBEY: Supply & Demand - The Art of Shepard Fairey - 20th Anniversary Edition
Consumed column about Obama as muse is included in Obama: The Historic Journey.
A piece I wrote way back when for Slate is included in Sponsorship: The Fine Art Of Corporate Sponsorship/the Corporate Sponsorship Of Fine Art
Gary Hustwit's industrial design documentary Objectified.
Anne Elizabeth Moore's book, Unmarketable: Brandalism, Copyfighting, Mocketing, and the Erosion of Integrity.
Kaya Oakes' book, Slanted and Enchanted: The Evolution of Indie Culture
Elizabeth Currid's book, The Warhol Economy: How Fashion, Art, and Music Drive New York City
Kim Fellner's book Wrestling with Starbucks: Conscience, Capital, Cappuccino
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Reader Comments
I want to fawn over the brilliant and playful subversiveness of this project, but I’m unclear as to what exactly is being subverted. If the fake brands are there as a form of ontological terrorism (a la Hakim Bey) to jolt people out of their routine stupor, then I say “Carry on, good chaps.”
If they were placed as a sort of vicious and holier-than-thou “commentary” with a totally vague target (a la Adbusters), then I say “What’s your point?”
Yes, I like some of these more than others — Glossy Veneer and Bankos are admirable. The Bulimia thing I’m not so into, and I don’t exactly get the nose job in a can, although on some level it’s funny. I think I’m in “stand by” mode to try to figure out what it is that TrustCo is up to. Talent there for sure; to what end, dunno.